Film geek...

I have successfully avoided the editing up until now and have been busy creating a press pack and other such chores. I plan to start editing this weekend.
In the meantime I thought I might do a how did you do that?
We shots this film on S16, in this case an Aaton LTR54, which was over 2o years old. I purchased this camera over a year ago (http://tidalbarrier.blogspot.com/2007/09/september-update.html).
Now this camera came with 7 primes and a zoom lens but came up with our own aesthetic, which meant we shot the first third of the film a 25mm, the second on 16mm, and the last a 12mm. So as the narrative unfolds we move further back. This practically meant that in the early part we saw the characters and spaces in fragments, while in the last third we saw the characters and space as one. To a certain extent we mirrored that with the film stock. For the first two thirds we used 250 daylight and 250 tungsten film, while in the last third we used 160 daylight. We used Fuji film throughout and I have to say that it was exceptional, especially in low-light conditions. We always had more room and could've gone much further than we did. You always understood why you shot on film and not video.
The film was developed and transferred by iLabs in Soho. It was transferred onto Digibeta and then a DV dub was made of it. The plan is to do the offline edit with the DV dubs, and then finish on Digibeta. A return to film would happen when the film is sold.