Wednesday, April 01, 2009

Workshop preparation

So we are set for the workshop to take this Saturday. Scheduling issues mean we are focusing on the relationship between Claire and Paul.
The work with Claire's friend Sophie will have to wait.
The three scenes we will devise comprise of the latter part of a day out for Claire and Paul.
We have already see them travelling in the car, and then drinking at an outdoor pub.
But what this is really about is about the nature of their relationship, and in this too, where Claire is at this moment, so that we will know where she started from.
At the same it is also to show how the relationship does work when it does. I have already said that Claire cannot leave this relationship because it is bad.
Finally, it is about adding another layer or texture. Noise. Speed. Volume. Crammed. Crowded. Stuffed.

Now I think I keep saying this, but I would like to try a new way of working.
I am very comfortable speaking from the perspective of psychology. Do I believe in it? No, I just feel like I can play it.
I often write instinctively. When challenged as to the meaning of this or that I find myself rewriting to make sense of it psychologically, and so rationalise it. What comes out is rational, but bloodless too? It has lost something.
So now I wondered if what I need to do is develop this in another way, emotionally, instinctively.
I need to move out of my comfort zone.

How could I start?
Writing in the opacity, that is writing what we see, without including what the character is thinking.
In dialogue, pushing away from the psychology of what is said, and working on the surface. Don't look for what is behind it.
Of course get rid of the spoken word, or even just dialogue.
Leaving the psychology to the actors. Never justify, let them do that, if that's what they do.
And perhaps another experiment? What if I could rewrite this scene, without dialogue, include only what we see from the outside, the way that the light reflects off them, the way they are.
And from here to the way that it is shot? That this instinct must be indistinguishable from the form that records it. This is something I have always wanted, but I know I have not achieved.

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